Performing the Jewish Archive

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Bach Dancing & Dynamite Society

Unitarian Society Atrium Auditorium, 900 University Bay Drive

 

European Jewish Composers in America –  Pre-concert lecture by Dr. David Fligg discusses the impact that exile and emigration had on this evening’s composers.

BDDS

Preceded by a short talk by Dr. David Fligg, BDDS performs chamber music by three European Jewish composers who emigrated to the US, made much of their careers here, and left a profound influence on the course of American music. Arnold Schoenberg’s 1st Chamber Symphony, presented in Webern’s notable arrangement for chamber ensemble, incited riots and protests at its early performances, but is now recognized as a classic of the repertoire. Erich Wolfgang Korngold was writing his Oscar-winning score to Robin Hood when the Anschluss overwhelmed his homeland. He instantly became a refugee and made the remainder of his career in the US, setting the standard for Hollywood film scores. BDDS plays his 3rd String Quartet of 1945, a work that celebrates the Allied victory over Hitler. Swiss-born Ernest Bloch came to the US in 1916 and became director of the Cleveland Institute of Music and the San Francisco Conservatory, teaching some of America’s most important musicians. BDDS plays his 1st Piano Quintet of 1923, a thrilling work that was praised by an early critic as depicting “a joyous orgy of savages beneath the tropical sun.” A talk back will follow this event.

Bach Dancing & Dynamite Society performs chamber music by three European Jewish composers who emigrated to the US, made much of their careers here, and left a profound influence on the course of American music.

Audiences at this event will be filmed. By attending this event, you consent to your being filmed as part of the audience and the footage being used for a research study (sponsored and conducted by the University of York, United Kingdom) including analysis by third party data analysis services. This footage will remain confidential, and your image will not be published or identified. If you do not wish to be filmed as part of the audience, the research team will seat you in an area of the auditorium which has no camera coverage. Please refer to notices at the event for further information.

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